Mark Holdaway

KTabS is a powerful Windows program that takes a lot of the guesswork out of writing tablature Writing down music for kalimba can be tricky, and for a newbie to music, overwhelming.  A fabulous alternative to writing out a song by hand on blank tablature involves simply clicking the notes into a tablature template, using Windows software program KTabS (Kalimba Tablature Software). One key advantage of KTabS is that when you click on a tine to add a note, you will immediately hear the note that tine is tuned to, so you know immediately if it is the right note or the wrong note. Similarly, once you have clicked five

Kalimba Tablature is a powerful way to save your kalimba ideas Tablature is an alternative to staff notation. Kalimba tablature is intuitive and easy to read.  We provide blank tablature PDFs for 8-Note, 11-Note Pentatonic, 15-Note Alto, 17-Note Treble, and 17-Note Karimba.  You can download them for free, print them out, and write notes on them detailing the kalimba riffs you make up.  And if you don’t understand the rules for tablature, we can help with that too! Before we get into the blank tablature, you might want to brush up on the rules of tablature. The tablature is a map of the kalimba’s tines, stretched out from the bottom

A kalimba’s “tuning” is the set of notes the tines are tuned to In order to keep your kalimba tuned correctly, you need to know what its notes are supposed to sound like.  An experienced player will know the sound of each note on their kalimba by heart, and will either know which note each tine should be tuned to, or will be able to figure this out quickly.  What if you are not an experienced player? This tip connects you with dozens of possible tunings for a dozen different kalimbas. Your tuning is probably here. The rest – becoming an expert – is up to you!  To maintain the tuning

You can syncopate by leaving out notes The easiest thing to do when you play kalimba is to set up a regular rhythmic pattern, alternating right-left-right-left (or the opposite), but this will not result in syncopation.  Here is a quick changeup you can make to this regular pattern to create some great syncopation. This tablature shows a sample pattern on the Hugh Tracey Alto Kalimba, but you can do this sort of pattern on any kalimba at all. Feel free to change the exact notes. In Measures 1-3, we establish the alternating right-left pattern, and Measure 4 changes the pattern to make a “bookend”, indicating both that the pattern is over, and that the whole