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Mark Holdaway

TIP: Playing Patterns in DIfferent Octaves

An upper octave pattern can be shifted to the lower octave, but it’s handedness is reflected This is something important to understand.  Just because you can play a pattern in one octave doesn’t mean that it will be easy in the other octave, because it will be a mirror image of the other octave’s pattern.  Strangely, your brain may have to totally relearn the phrase in a different octave in spite of the similarities in the music. The insite in this tip – that when you shift a phrase up or down an octave, you need to learn to play the mirror image of the pattern you started with –

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Blog
Mark Holdaway

TIP: Playing the Scale – in Octaves

Because two notes separated by an octave are on opposites sides of the kalimba, you can play them at the same time! The two previous tips illustrated how to play the upper octave G major scale and the lower octave G major scale on the Alto kalimba.   This tip combines the upper and lower scales and plays them at the same time. The upper octave scale on the Alto kalimba goes left – right…. while the lower octave scale goes right – left.  This means that while your left thumb is playing the middle G, your right thumb can play the low G.  When the right thumb is playing the

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Blog
Mark Holdaway

TIP: Playing the Scale – A Lower Octave

Many kalimbas – such as the Alto, the Treble, and the Pentatonic 11-Note kalimbas – have a range of two or more octaves.  In my mind, this is where the playing really gets to be interesting.  This tip relates the lower octave scale to the upper octave scale on the Alto kalimba. The Alto kalimba tablature here starts at the bottom and works up.  The first measure shows the upper octave of the G major scale, while the second measure shows the lower octave of the G major scale.  The two scales have the exact same note names: G A B C D E F# G (you can tell by

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Blog
Mark Holdaway

TIP: Fixing the BUZZ

Do any of your tines make a sound that annoys you? Learn to fix that! To keep your kalimba sounding good, learning to tune is the most important thing. After that comes learning to fix the odd buzzy tine so that each note on the instrument can ring true. This tip points out the resources for removing the buzz and returning your kalimba to sounding clear. When I  listen to other people’s kalimba recordings, I am often annoyed by nasty buzzing sounds.  I think “If only they knew how easy it is to fix those buzzes!” Before I record a kalimba, I touch up on the tuning and make sure

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Blog
Mark Holdaway

TIP: On Practicing Kalimba

You can learn an instrument with modest daily work – but do pick it up every day The kalimba is one of those amazing instruments that magically sounds good even if you don’t know what you are doing, often right out of the box.  However, if you practice, you can become really good at playing.  I have compiled some thoughts on my experience of practicing on the kalimba with the idea of helping you with your kalimba journey. If you are going to “get good” on the kalimba, you should try to play it a bit every day. Do it for 15 minutes a day. Once in a while, you will probably

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Blog
Mark Holdaway

TIP: Tuning Your Kalimba

Everything you need to keep your kalimba in tune Many people purchase kalimbas without realizing that they need to keep the kalimbas in tune.   Most kalimbas that are played daily will slowly go out of tune over a month or two, and then you need to touch up on the tuning. This article hooks you up with all the resources you need to learn how to keep your kalimba in tune – just the way I do! Many people purchase kalimbas without realizing that they need to keep the kalimbas in tune. Most kalimbas that are played daily will slowly go out of tune over a month or two, and

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Blog
Mark Holdaway

TIP: Using the How-to-Play Pages

Each kalimba we sell has its own How-to-Play page. What can you expect from these pages? Inside the “How-to-Play” category, there are 20 sub-categories.  Several of these are general subjects that are applicable to all kalimbas, such as “Fundamentals of the Kalimba”, “Thumbnail Care”, and “Tuning”.   We also have 13 categories dedicated to information about different kalimbas.  This tip tells you what information you will find on these pages. We have a great series of resource pages for many kalimbas, including the Alto, Treble, Chromatic, 6-Note, 8-Note, 12-Note, Sansulas, Pentatonics, African-tuned Karimba, Student Karimba, SaReGaMa-tuned Karimbas, and more, and you can see all of these in the How to Play pages. While the structure of each instrument’s

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Blog
Mark Holdaway

TIP: Learn KTabS – Kalimba Tablature Software

KTabS is a powerful Windows program that takes a lot of the guesswork out of writing tablature Writing down music for kalimba can be tricky, and for a newbie to music, overwhelming.  A fabulous alternative to writing out a song by hand on blank tablature involves simply clicking the notes into a tablature template, using Windows software program KTabS (Kalimba Tablature Software). One key advantage of KTabS is that when you click on a tine to add a note, you will immediately hear the note that tine is tuned to, so you know immediately if it is the right note or the wrong note. Similarly, once you have clicked five

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Blog
Mark Holdaway

TIP: Free Blank Kalimba Tablature

Kalimba Tablature is a powerful way to save your kalimba ideas Tablature is an alternative to staff notation. Kalimba tablature is intuitive and easy to read.  We provide blank tablature PDFs for 8-Note, 11-Note Pentatonic, 15-Note Alto, 17-Note Treble, and 17-Note Karimba.  You can download them for free, print them out, and write notes on them detailing the kalimba riffs you make up.  And if you don’t understand the rules for tablature, we can help with that too! Before we get into the blank tablature, you might want to brush up on the rules of tablature. The tablature is a map of the kalimba’s tines, stretched out from the bottom

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