Articles tagged with: Karimba

06 December 2017

Welcome to Kalimba Magic

Posted in News and Announcements

Quality, Selection Support and Service

Welcome to Kalimba Magic

 2017 HOLIDAY SAVINGS

Recieve 25% off popular Hugh Tracy Acoustic Altos,Trebles and Pentatonic Box Mounted kalimbas. Save a whopping 30% on songbooks; including music and instructional downloadsFind over 100 unique thumbpiano instruments in our on-line catalogue. Don't forget to listen to all of them with our KALIMBA MAGIC APP.  Find Links to all this and more below our Christmas Video.

12 August 2017

Mbira as an International Character

Written by Klara Wojtkowska, Posted in News and Announcements

Is it Cultural Appropriation?

Mbira as an International Character

Editor's note: Klara is a valued contributor to the Kalimba Magic blog. She is currently spending some months in Zimbabwe developing her mbira skills, and has given us another rich, intelligent and stimulating piece; here she considers the sensitive cultural issues around her endeavor. The Bridge that Klara writes about (the Machipisa Foot Bridge in the city of Harare) was first built in 1998. Its journey from a very scary place to what it is now is discussed in the two articles linked at the bottom of this page. These articles, from local periodicals, give a rare glimpse into life in a faraway place, and it's where Klara is living and learning right now. Photos and informative video included.]  

The week that I came to Zimbabwe I was invited to perform under a bridge. The Bridge is an interesting contemporary cultural artifact; blessed by His Excellency Himself, it was built across a particularly dangerous bit of road in Highfield, the high-density suburb from which hail many of the political revolutionaries of pre-Independence days as well as the celebrated and revered musician, Oliver Mtukudzi. The Bridge swirls up from the ground on one side of the road like an artful ice cream cone, stretches its spine across the street, and then lands gracefully in a concrete pirouette on the other side. The Bridge is a testament to the human desire to make things better for ourselves.

Yes, I, a white European woman, was invited to play traditional karimba, in Zimabwe, under The Bridge...

17 June 2017

Octaves on Kalimba, Karimba, and Mbira

Written by Mark Holdaway, Posted in News and Announcements

Becoming conversant with octave pairs is an important part of learning your instrument

Octaves on Kalimba, Karimba, and Mbira

Do you know where the octave pairs are on your kalimba?

The octave is the most fundamental interval in essentially any music. Octave harmonies are not rich, but they are powerful. If your kalimba has eight notes or more, you likely have one or maybe even several octave pairs. Learning which note pairs are an octave apart, as well as how to use the octaves in playing, are essential to becoming a good kalimba player.

09 April 2017

Introduction to Karimba

Written by Mark Holdaway, Posted in News and Announcements

This article explains this rich but confusing instrument

Introduction to Karimba

The first thing that is confusing about the karimba is that people assume its name is a misspelling of "kalimba."  When I say "karimba," I am referring to the traditional instrument that Andrew Tracey described as the "original mbira" from 1300 years ago. The name "karimba" can also refer to one of the new tunings we have derived from this ancient instrument.

It certainly can be confusing:  does this instrument have 8 notes, 9 notes, 13, 15, or 17 notes?  Yes to all!  What key is it tuned to?  Great question!  Let's not view these issues as problems, rather let us see them as opportunities.

14 April 2017

Meet our Karimbas - your comparison shopping Go-To page

Written by Mark Holdaway, Posted in News and Announcements

Sound recordings for eight different types of karimbas in a wide variety of tunings

Meet our Karimbas - your comparison shopping Go-To page

This is a companion article to the post "Introduction to Karimba" where I explain the history and kinds of karimbas in the world. This information will help you learn more about the karimbas that Kalimba Magic offers.  In this post, I provide sound files for many of our karimba models so you can hear them side-by-side.  I also provide links to the product pages in the Kalimba Magic Shop.  If you are in the market for a karimba this is the go-to place for comparing the different models by sound and also through the detailed information given about them in the Shop pages, where you will find descriptions along with discussion and video of some of the instruments being played.

05 April 2017

The "Clocks" riff from Coldplay, on Karimba and Alto

Written by Mark Holdaway, Posted in News and Announcements

Learn to play a kalimba version of the piano ostinato in Coldplay's "Clocks"

The

An ostinato is a motif or phrase that persistently repeats in the same musical voice.  Almost everybody knows the piano ostinato that provides the foundation for Coldplay's compelling song "Clocks," written a decade ago.  Evocative and haunting, this song seemingly brings to life a dream world.  (Click on the link below this post to hear it.)  While I've enjoyed this song since it came out, it never occurred to me to play it on kalimba until recently at a music therapy conference.  One of the attendees started playing "Clocks" on ukelele, and I realized she was playing it in D mixolydian mode, which has the same notes as the key of G major. This is also the same key in which a lot of Hugh Tracey kalimbas are tuned.  I ran and got my Alto kalimba and immediately jumped in. 

Would you like to learn how to play the riff to "Clocks" on the kalimba?  We have tablature for both African karimba and Alto kalimba.

14 April 2017

Andrew Tracey Reviews Our Newest Karimba Book

Written by Andrew Tracey, Posted in News and Announcements

Hugh Tracey's son, Andrew, is "THE" expert on Karimba Music

Andrew Tracey, ethnomusicologist, musician, and now-retired director of ILAM (the International Library of African Music), is a noted authority on karimba and mbira. He did much research and study in the field on these two instruments. Andrew has written several seminal scholarly papers on these instruments giving us much of what we know and understand about them today. A few months back I sent him my new karimba book "About 30 Traditional African Songs for the Hugh Tracey African Karimba" and here is his thoughtful review.

"Congratulations on your work, may it spread the knowledge of one of the best-known African instruments, and may it bring many more musicians to Africa to learn to play it!"

11 March 2017

Ferrying Between Worlds

Written by Klara Wojtkowska, Posted in News and Announcements

Playing Karimba for the Dying

Ferrying Between Worlds

Klara Wojtkowska, an accomplished musician and playwright among many other things, in a poetic and poignant essay expresses how profound an experience it was for her to play karimba for someone she loved, helping them make the transition between this world and whatever lays beyond.

When I went to Poland last summer, I planned to go for a friend’s wedding. I did not imagine that God might be pulling me by the hair to carry a karimba and a song across the ocean to my beloved Aunt, who did not want to be dying, but was doing just that.

14 November 2016

The System of the Mbira - Part 1

Written by Mark Holdaway, Posted in News and Announcements

The chords and phrase structure behind most mbira music

The System of the Mbira - Part 1

Most "primitive" music is so-called "two-phrase" music - basically a call phrase and a response phrase, or a question and an answer.  This simple musical form exists across cultures, in nursery rhymes, and in basic karimba music.

Sometime between 600 and 1000 years ago in the Zambezi Valley of southeastern Africa - let's suppose during the peak of the "Great Zimbabwe" civilization - an incredible innovation occurred: that primal two-phrase tune pattern evolved into a "four-phrase" pattern.  This innovation was momentous. Doubling the length of the original two-phrase cycle had the effect of expanding the possibilities of the music by far more than a factor of two. This four-phrase musical structure is the essence of the sound of the mbira. It is one of the pinnacles of African music, culture and intellect. 

In this post I will impart my conceptualization of an essential African musical form to you, and will start with the basic chord progression common to a lot of four-phrase mbira music. This harmonic understanding, which can be applied to any instrument, will be demonstrated on guitar in the keys of G and A.

12 December 2016

The System of the Mbira - Part 2

Written by Mark Holdaway, Posted in News and Announcements

You can start at different points in the cycle to make different songs

The System of the Mbira - Part 2

Sometime between 600 and 1000 years ago in the Zambezi Valley of southeastern Africa, something amazing happened - four-phrase mbira music was born.  This revolutionized the music that had been played for a very long time, and greatly increased its sophistication, sort of like going from nursery songs to Pachelbel's Canon.

The new musical structure was complex enough to support a wide range of songs.  In fact, new songs in this vein continue to be created today. There is basically an infinite supply of mbira-type music.

In this post we begin analyzing how new songs can be created within this four-phrase system. One way is to start the song at different places in the cycle.  We show you two common places to start, and illustrate the differences in the music.

22 February 2016

Is it Kalimba, Karimba, or Mbira?

Written by Mark Holdaway, Posted in News and Announcements

What name should I use for my thumb piano?

Is it Kalimba, Karimba, or Mbira?

When discussing thumb pianos, people use the instrument names kalimba, karimba, mbira, mbira dzavadzimu, and mbira nyunga nyunga - sometimes with specific intent, and sometimes nearly interchangeably.  Where are these different names from, and what do they mean?

01 December 2016

New Kalimbas from Roots Production in France

Written by Mark Holdaway, Posted in News and Announcements

New Kalimbas from Roots Production in France

Andrew Masters of Roots Production in France has been making kalimbas for over 20 years.  His designs are unique - they echo some rustic but refined instruments made in Africa with their handmade, very smooth tines.  In fact, these may be the sweetest tines of all to play on.

And once you play the tines, the elliptical metal sardine-can resonator body rings ever so sweetly.  Yes, these kalimbas are actually built from sardine cans!  Wow!

Kalimba Magic is very happy to carry these kalimbas, with a limited shipment planned for early 2017, and you can preorder one now.

08 November 2016

Karimba Music: Chiwoniso's Song "Chaminuka"

Written by Mark Holdaway, Posted in News and Announcements

Free tablature for "Chaminuka," for A-17 or F-15 instruments

Karimba Music: Chiwoniso's Song

We have featured the music of the late Chiwoniso before at Kalimba Magic.  Chiwoniso was a talented and charismatic singer and karimba player (which she simply called an mbira). She was also the daughter of Dumisani Maraire (Dumi), who is credited with bringing both the marimba band movement and the karimba to America, starting around 1968.  Dumi was educated about music at the Kwanangoma School of African Music in Bulawayo, Rhodesia (now called Zimbabwe). Chiwoniso grew up traveling with her father and learning African music, between Zimbabwe and Washington state.

I am happy to bring you yet another of Chiwoniso's songs - featuring her gorgeous playing and singing - in tablature for both the A-17 and F-15 karimbas - along with my analysis and speculations on this music.

What you are hearing is the video at the bottom of this article presenting the beginning of a concert given by Chiwoniso. The sound makes it a bit tricky to understand her spoken words, but she is discussing her instrument and its history, and she also introduces the song "Chaminuka", which she named after a great prophet, seer, and healer in the history of the Shona people, who foresaw the coming colonization of their land and always preached love and understanding of each others' differences. (He must have had premonitions of great violence and sadness, things that seem to have been universally experienced when a civilization was invaded and taken over by another.)

11 October 2016

TIP: Playing "Mahororo" on the African Karimba - 5 / 5

Written by Mark Holdaway, Posted in Tips

This traditional mbira song transfers well to karimba

TIP: Playing

"Mahororo" is usually played on the mbira dzavadzimu (commonly called the mbira), and is one of the classic songs that fit the chord progression described by Andrew Tracey in his seminal 1973 paper "The System of the Mbira" which studies in depth the ages-old mbira playing of the peoples he and his father Hugh studied for decades. This implies that "Mahororo" is probably one of those "old songs" - meaning it may be something like 500 - 800 years old.

Ivodne Galatea pointed out that it could be played on the karimba. With several arrangements of "Mahororo" under my belt, I am happy to present here the tablature for my latest and best arrangement of the song, which you can follow on YouTube.

01 October 2016

The Karimba Song "Kakaiwa" - Free Tablature and MP3

Written by Mark Holdaway, Posted in News and Announcements

A karimba song that echoes more complex mbira music structure

The Karimba Song

"Kukaiwa" is one of my favorite songs in our recently published "About 30 Traditional Karimba Songs" book and instructional download.  This arrangement comes to us from kalimba maven Ivodne Galatea, who mentions that CD liner notes indicate that "Kukaiwa" may be traditional, or it may be original to Dumisani Maraire. Mariaire brought the marimba band movement to the western United States in the 70s, 80s, and 90s. He may also be the man who first brought the karimba, which he called mbira nyunga nyunga, to the USA.

 

04 October 2016

TIP: Playing "Mahororo" on the African Karimba - 4 / 5

Written by Mark Holdaway, Posted in Tips

This traditional mbira song transfers well to karimba

TIP: Playing

"Mahororo" is usually played on the mbira dzavadzimu (commonly called the mbira), and is one of the classic songs that fit the chord progression described by Andrew Tracey in his seminal 1973 paper "The System of the Mbira" which studies in depth the ages-old mbira playing of the peoples he and his father Hugh studied for decades . This implies that "Mahororo" is probably one of those "old songs" - meaning it may be something like 500 - 800 years old.

Ivodne Galatea pointed out that it could be played on the karimba. With several arrangements of "Mahororo" under my belt, I am happy to present here the tablature for my latest and best arrangement of the song, which you can follow on YouTube.

30 September 2016

TIP:Technique: Playing with the right index finger - 3

Written by Mark Holdaway, Posted in Tips

Yes, but what if you don't feel like using your right index finger? You can use the thumb slide-off technique!

TIP:Technique: Playing with the right index finger - 3

I find the addition of the right index finger to the two thumbs to be essential to playing African music, and in expanding the capabilities of kalimbas in general.  However, it typically feels unnatural at first, no matter which approach you take.  A great many people resist using their (non-thumb) fingers on these instruments.

If you just don't want to (or cannot) use a forefinger, what are you to do?

27 September 2016

TIP: Playing "Mahororo" on the African Karimba - 3 / 5

Written by Mark Holdaway, Posted in Tips

This traditional mbira song transfers well to karimba

TIP: Playing

"Mahororo" is usually played on the mbira dzavadzimu (commonly called the mbira), and is one of the classic songs that fit the chord progression described by Andrew Tracey in his seminal 1973 paper "The System of the Mbira" which studies in depth the ages-old mbira playing of the peoples he and his father Hugh studied for decades . This implies that "Mahororo" is probably one of those "old songs" - meaning it may be something like 500 - 800 years old.

Ivodne Galatea pointed out that it could be played on the karimba. With several arrangements of "Mahororo" under my belt, I am happy to present here the tablature for my latest and best arrangement of the song, which you can follow on YouTube.

 

16 September 2016

Practice TIP: Experiment with Changing Volume Levels

Written by Mark Holdaway, Posted in Tips

Playing strong can help you learn; playing softly can help you discover the "feel" of the music

Practice TIP:  Experiment with Changing Volume Levels

Don't you hate all those internet ads that start with "Try this one weird trick" and then promise that if you do, it will change your life in a profound way?

Well, I have something for you that may seem like a weird trick, but it is really a great little tool that indeed has had a profound effect on my own kalimba, karimba, and mbira playing.

People tend to play kalimba music with every note at the same volume level.  But I can point to three big benefits you can get from changing up the volume level in your kalimba playing. 

22 September 2016

TIP:Technique: Playing with the right index finger - 2

Written by Mark Holdaway, Posted in Tips

The "karimba style" use of the right index finger puts it over the top of a tine, plucking down

TIP:Technique: Playing with the right index finger - 2

How do you play the kalimba?  Mainly, you use your two thumbs, but you should not overlook the fingers.  It turns out there are multiple ways to use the right index finger, and you can adapt these techniques to a wide variety of kalimbas.

20 September 2016

TIP: Playing "Mahororo" on the African Karimba - 2 / 5

Written by Mark Holdaway, Posted in Tips

This traditional mbira song transfers well to karimba

TIP: Playing

"Mahororo" is usually played on the mbira dzavadzimu (commonly called the mbira), and is one of the classic songs that fit the chord progression described by Andrew Tracey in his seminal 1973 paper "The System of the Mbira" which studies in depth the ages-old mbira playing of the peoples he and his father Hugh studied for decades . This implies that "Mahororo" is probably one of those "old songs" - meaning it may be something like 500 - 800 years old.

Ivodne Galatea pointed out that it could be played on the karimba. With several arrangements of "Mahororo" under my belt, I am happy to present here the tablature for my latest and best arrangement of the song, which you can follow on YouTube.

15 September 2016

TIP:Technique: Playing with the right index finger - 1

Written by Mark Holdaway, Posted in Tips

The "mbira style" use of the right index finger puts it under the tine, flicking upward

TIP:Technique: Playing with the right index finger - 1

How do you play the kalimba? It's a thumb piano, so mainly you use your two thumbs!  The Brazilian masters like to use four or six fingers, playing the kalimba as it sits in their lap - but I don't teach that style. That's because my kalimba playing is a lot about movement of the body while playing, and if you hold the kalimba in your hands and play with your thumbs, you can get up and walk, run, or dance as you play.  Or at the very least, just move around a bit with the music.

The right index finger, however, is a special case, part of the venerable African mbira and karimba traditions, and we will consider it right now.

13 September 2016

TIP: Playing "Mahororo" on the African Karimba - 1 / 5

Written by Mark Holdaway, Posted in Tips

This traditional mbira song transfers well to karimba

TIP: Playing

"Mahororo" is usually played on the mbira dzavadzimu (commonly called the mbira), and is one of the classic songs that fit the chord progression described by Andrew Tracey in his seminal 1973 paper "The System of the Mbira" which studies in depth the ages-old mbira playing of the peoples he and his father Hugh studied for decades . This implies that "Mahororo" is probably one of those "old songs" - meaning it may be something like 500 - 800 years old.

Ivodne Galatea pointed out that it could be played on the karimba. With several arrangements of "Mahororo" under my belt, I am happy to present here the tablature for my latest and best arrangement of the song, which you can follow on YouTube.

06 September 2016

New, Free Variations to Accompany the Karimba Song "Wa Kalulu"

Written by Mark Holdaway, Posted in News and Announcements

You can learn to create your own variations!

New, Free Variations to Accompany the Karimba Song

I have written before about how much fun it is to find variations that work with traditional African kalimba music. This article elaborates on this subject, and how I went about creating my own variations, first by improvisation, and then later in composition inspired by those earlier improvisations.

Even in the case of songs such as "Wa Kalulu" for which only a standard part notation exists, we can create essentially infinite variations to go along with this music. All it takes is two karimba players, one with a good grasp of the song as written (in the book "30 Traditional African Songs for Karimba" for example) and another player who has several attributes: a fertile imagination, the flexibility to change what they are playing when the music they are playing isn't working with the original part, and the sense to stay put for a while when they stumble on something good.

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