September 17, 2016

Blog
Mark Holdaway

TIP: Alto Kalimba – Accents can make a part stand out

Get this free tablature that illustrates the use of accents in your kalimba playing Click to download the PDF tablature for this exercise When you play kalimba, you should always be willing to accent special melody notes, and let the other support notes come in at a lower volume.  Why is this important?  Not always, but often, melody notes will be fairly high in an instrument’s range, and accompaniment notes will occur in the middle or at the low end.  A guitar has a three and a half-octave range.  The piano has a seven-octave range.  On both of these instruments, you have a big difference in the pitch of the

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Blog
Mark Holdaway

Playing Kushaura and Kutsinhira Parts on Mbira

These two similar parts, one delayed by an eighth note, lean against each other and create something fundamentally new Mbira music is designed to be played on two dueling mbiras The kalimba, as most of us know it, is a new adaptation of the family of African lamellophones that includes the mbira and the karimba.  As such, the kalimba doesn’t really have a tradition in Africa.  This is the very reason I am attracted to the instrument. Without a specific African tradition, we are free to create our own new and evolving kalimba styles. On the extreme opposite end of the “tradition” spectrum from the modern kalimba is the mbira

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