Hugh Tracey is a complex and important historical figure in the contemporary kalimba world. I should start by stating my relationship to Hugh Tracey: for the last 33 years, I have played instruments he designed, and for about half that time I have made most of my living by selling Hugh Tracey kalimbas. So I might be a little prejudiced, but Hugh Tracey's work was clearly pivotal in the trajectory of modern lamellaphones.
Hugh Tracey, a white European man, cherished traditional African music and made it his life's work to study and preserve that music. But he also invented and marketed the Hugh Tracey kalimba, which is not a traditional instrument at all, and has, arguably, directed some interest away from traditional instruments such as the mbira dzavadzimu or the karimba.
For me though, the Hugh Tracey kalimba has been a doorway to the world of ancient and traditional African music. Would you like to explore that world, and Hugh Tracey's part in it, with me?