July 20, 2006
Student Karimbas
Last week, I got to do something pretty cool. I was at Fenster Ranch
Summer Camp teaching kalimba to kids. Actually, I was mainly teaching the
Student Karimba to these kids, ages 5-11 (fortunately, segragated by age).

The above instrument is a Hugh Tracey Karimba. What, you may ask, is
the Student Karimba? There are two rows of tines on the karimba, just
as with the mbira. The upper row has redundant tines. The backbone
of the melodies this instrument plays usually flows through the tines
on the lower row.
So, it occurred to me: why not teach young children on a simplified
karimba which used only the lower row of tines? It turns out that
this part of the karimba is one of the most ancient tine layouts
Hugh Tracey studied, so there is the added benefit that the students
feel that they are connecting with a living part of an ancient tradition.

To make a student karimba, I started with an 11-note pentatonic kalimba
(on the left; I had these around from teaching kids on the pentatonic).
I took the kalimba apart by sliding a butter knife under the tines
and in the space between the bridge and the z-bracket, then pushing
the bridge down with the knife; as the bridge moves farther down, the
tines will eventually leap free from the bridge, and then you can take
them off. You can then put the tines back together in the stated form
of the student karimba, shown on the right (I had some spare tines
laying around to help me). Another way to make a student karimba is
to buy the real karimba and either tell yourself not to worry about
the high notes, or to actually take them off of the kalimba (again,
use the butter knife approach, it will be easier). If you take them
off, save them, as you'll want them soon!
Why would you want a student karimba? I have found that many young
children are less put off by an instrument with 9 notes than by the
17-note karimba. Start out simple, succeed, and then go on to the
bigger and better things.
The tines of the student karimbas I used last week are tuned in
G so this instrument can play with the other Hugh Tracey kalimbas:

Here is a simple piece that we did with the kids at Fenster Ranch.
The tablature was helpful to the kids, but was also helpful to me to
remind me what I was going to do!

One student plays the line of tablature on the left, and the other
plays the line of tablature on the right. The funny symbols that look
like "do not enter" signs are rests (ie, don't play).
Listen
to the Karimba Tune I wrote for Fenster Ranch
One of the most important things I learned about teaching kids: it is good
to use the solid body kalimbas rather than the box kalimbas. Kalimbas hit the
ground dozens of times, but none were seriously injured. The board kalimbas
are very sturdy.
If you would like to purchase a karimba, please visit the Kalimba Shop. Student karimbas are not yet available, but
you can work with the regular karimba. Also, look for the new Karimba Book
coming out next month! I'm pretty exciting about this book: it feels quite
different from my other books, and I'm quite proud of this work.