Are you doing something cool with the kalimba? Have you released a new CD, or a new video on YouTube? Do you have an upcoming kalimba performance? Do you have some cool photos to share? Contact us and we'll get you into a Community page coming up soon. We'd love to share your news with the kalimba world!
Erica Azim's non-profit organization Mbira.Org promotes
traditional mbira music and supports
mbira players in
Zimbabwe. BTW, the microphone on the mbira in the
above photo is the AKG 1000S, an inexpensive condensor
mic that takes a battery (i.e., does not require phantom
power) and works great for the kalimba.
Just what is an Mbirathon? Mbira players all around the world keep traditional Shona mbira music playing continuously for 24 hours. The 2009 event is the 5th annual Mbirathon. During the Mbirathon, people play mbira on every continent!
You can help the Mbirathon raise funds for the over 140 Zimbabwean musicians that Mbira.Org works with, in any of these ways:
To find out more about the Mbirathon or get info about holding your own Mbirathon event, check the website and contact Erica Azim at: erica("at")mbira.org
Also, I just came across the Mbira Centre. Though their website is limited to the one page, it is very intriguing!
John Ike Walton, formerly of the psychedelic rock band The 13th Floor Elevators, has come over to the kalimba side. He builds large 3-octave chromatic kalimbas (see pic at left). You can buy Mr. Walton's CD to hear how this instrument performs. If you can't afford the $1200 price tag, you might be able to learn how to make this from Bart Hopkin's book on building simple musical instruments. This book is, very unfortunately, out of print. But check your public library!
Says percussionist Mark Shelton:
It was good to meet you at the Percussive Arts Society International Convention. I have really been practicing the kalimba lately. I discovered that it is possible to pedal the stationary bike while playing the kalimba.
We've neglected kalimba video for a few months, but it's back!
A few months ago, we featured a short story on Tark's Sansula song "Little Star." Check out the Little Star YouTube video, which features a very special guest. The really wonderful thing about this piece is the new tuning Tark has on his Sansula, the "Heavenly A." Here is the story from Tark himself:
The story of the "Heavenly A" is quite simply the case of another happy accident. I had mapped out several tunings on paper and was trying them on the sansula. I knew the F# and G# would lay right and lead well to A B C# E on the top. My prior tuning had the low C bumped up to D. I meant to bring it down to C# but forgot. Luckily, I started playing and as soon as I heard it I knew it was special. I think having that fourth (D) instead of the major third (C#) is what makes the tuning "heavenly" and more versatile, and, it's the only note that wasn't intentional! Funny thing is, I never did try C#.
So there you have it. Chalk up another one to chance, kismet, other power or God, however you choose to look at it. Hopefully, by summer I'll have some good news to share with the kalimba community. You'll be one of the first to know.
Tark
Hey, Tark, I also love when something new finds me! By the way, instead of mapping tunings on paper, check out KTabS. KTabS lets you retune your kalimba or Sansula on your computer in seconds, and then you can hear how that tuning will sound without changing your physical kalimba. I think you will agree that there is no substitute to actually having the instrument in your hands to see how it feels, how it sounds, and how the tuning works with the physical layout of the tines—but I find KTabS to be a wonderful creativity booster/time saver. —Mark
Mary Clare Tracey Craigen writes:
Greetings from New Zealand. I'm Hugh Tracey's granddaughter, daughter of Andrew and Heather Tracey. I've been sitting in front of my computer for the last half hour just quietly listening to you play Christmas carols and other pieces. Wow! Completely overwhelming to hear our instrument played so beautifully. I must get my alto out again —it's been years...
Thank you so much. Grandpa designed the kalimba so that everyone would see, hear and appreciate the complexity of African instruments and music. I reckon he'd love to have met you.
Deepest regards,
Mary Clare
Dear Mary Clare, I would love to have had the honor of meeting your grandfather. But at least I can appreciate a part of his legacy—the Hugh Tracey kalimba, which is in my hands much of every single day! I have met his two sons, Andrew and Paul, and I see Hugh's spirit at work in them. —Mark
Eric Freeman mailed me these tw photos. The
tines are from a Hugh Tracey pentatonic
kalimba,
the buzzers are from an Andrew Masters kalimba,
and the guitar
is an Ovation someone didn't mind
turning into a big resonant kalimba!
Another angle. Three out of the 11 tines are
usually
painted on the Hugh Tracey Pentatonic Kalimba,
but it is
possible to scrape the paint off, as Eric
has done. He kept the paint on the central tine.
Check out Eric's MySpace page - the default song is not available on the Kalimba Sound System CD - it is too new - but it really really deserves a listen. As my recording engineer said "Hey, they could make money with music like that!"